by Kyle Boreing | Jan 17, 2018 | Commentary & Observations, History, Music Business
In my last article, I wrote about third-party labels who lease masters from record companies in order to invest in a remaster and/or re-issue of that material that the original company either has no interest or see no value in releasing themselves. Brian Fuson brought...
by Kyle Boreing | Jan 12, 2018 | Commentary & Observations, Music Business
While browsing online at new releases for 2018, I came across something that kind of caught my eye…. Anyone that even casually knows me knows that I am a huge Oak Ridge Boys fan. I have every recording by them I can possibly get my hands on dating back to the...
by Kyle Boreing | Dec 4, 2017 | Commentary & Observations
Recently, I reached out multiple times to an artist to get their input/feedback on an article I’ve written here on MusicScribe. These requests have been ignored. I believe, based on previous interaction with this artist, that this is due to their disdain for...
by Daniel J. Mount | Nov 30, 2017 | Awards Shows, Commentary & Observations
Why do Grammy® voters vote the way they do in Southern Gospel categories? Certain trends are clear. Some producer or label voter coalitions generate almost-automatic annual nominations. And imprints with major label distribution have that label’s votes behind...
by David Bruce Murray | Nov 18, 2017 | Commentary & Observations, Rant
I attended a concert last night that featured three top Southern Gospel quartets, and when I say top, I mean three groups that would appear on most anyone’s Top 10 list of current male quartets. The concert promoter has a weekly Southern Gospel show on one of...
by Kyle Boreing | Nov 7, 2017 | Commentary & Observations
Dear Southern Gospel Music Fans, I’ve been known quite a few times over the years to take artists to tasks for different aspects of the SG industry – from poorly-made products and presentations to apparent penny pinching to immature reactions to being...
