by Kyle Boreing | Aug 13, 2018 | Commentary & Observations, History, Music Business, Music Tech
In 1990, Hank Williams, Jr., won a Grammy award for Best Country Vocal Collaboration for “There’s A Tear In My Beer,” an award he shared with his father, Hank Williams, Sr. The video for the song, in which father and son perform the song together,...
by Kyle Boreing | Jul 18, 2018 | Commentary & Observations
In October 1973, Joe Bonsall became the newest member of The Oak Ridge Boys, replacing long-time tenor, Willie Wynn. One of Joe’s first jobs after joining was to head into the studio and recut vocals on an album for Columbia Records (much of which had already...
by Kyle Boreing | Jun 18, 2018 | Commentary & Observations, Music Business, Music Tech, Oddities, Recording Oddities
The first time I heard Brian Free & Assurance’s 2007 album, Real Faith, my initial reaction was, “Man, that sounds almost TOO perfect!” The album, produced by Barry Weeks, was slick and highly-polished, but what really stood out to me were the...
by Kyle Boreing | Jun 15, 2018 | Commentary & Observations
Of all the aspects of the Christian music industry that bother me, one that always seems to stick out is the idea of Halls of Fame. We have the Gospel Music Hall of Fame, the Southern Gospel Music Hall of Fame, and various state halls of fame. All are filled with what...
by Kyle Boreing | Apr 23, 2018 | Commentary & Observations, Music Business, Music Tech
In our last Music Biz Monday, we looked at the rise of music streaming (and rather rapid decline of downloads) as the primary method of consuming recorded music. We’ve addressed in the past the pro’s and con’s of streaming music as a whole in the...
by Kyle Boreing | Apr 2, 2018 | Commentary & Observations, Music Business, Music Tech
In addition to our weekly features such as News Nuggets and Sony’s Devotions, we will also be starting a new series called Music Biz Mondays, where we take a look at various aspects of the music industry, both in SG music and as a whole. To start things off,...