by Kyle Boreing | Jun 18, 2018 | Commentary & Observations, Music Business, Music Tech, Oddities, Recording Oddities
The first time I heard Brian Free & Assurance’s 2007 album, Real Faith, my initial reaction was, “Man, that sounds almost TOO perfect!” The album, produced by Barry Weeks, was slick and highly-polished, but what really stood out to me were the...
by Kyle Boreing | Apr 23, 2018 | Commentary & Observations, Music Business, Music Tech
In our last Music Biz Monday, we looked at the rise of music streaming (and rather rapid decline of downloads) as the primary method of consuming recorded music. We’ve addressed in the past the pro’s and con’s of streaming music as a whole in the...
by Kyle Boreing | Apr 2, 2018 | Commentary & Observations, Music Business, Music Tech
In addition to our weekly features such as News Nuggets and Sony’s Devotions, we will also be starting a new series called Music Biz Mondays, where we take a look at various aspects of the music industry, both in SG music and as a whole. To start things off,...
by Kyle Boreing | Mar 26, 2018 | Audio, Commentary & Observations, Music Tech, Recording Oddities
I’ve lamented in reviews over and over and over again about compression in modern recording. Often readers misunderstand what I mean by compression. Consider this an effort to try to clear the air a bit and help you understand why I’m complaining (well,...
by Kyle Boreing | Mar 7, 2018 | Commentary & Observations, Interviews, Music Business, Music Tech, Social Media
37 years ago today, I did my first concert as a “professional” Gospel Pianist. It surely doesn’t seem like 37 years ago. March 7, 1981 — Gerald Wolfe (@geraldwolfe1) March 7, 2018 Although he got his “official” start in 1981, it was in 1986,...
by Kyle Boreing | Mar 1, 2018 | Commentary & Observations, Music Tech
Tracks aren’t going anywhere. They’re here to stay, and not just in southern gospel music. More and more mainstream artists are dropping live touring musicians in favor of tracks, both for the amount of control they give artists AND the support they offer...